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Congratulations to the new elects!

6:43 pm in EAL/LA, Resources & News by EALLA

Congratulations to the new Leadership Council members!


new chairs!

The people have voted, our new Leadership Council members are:

Executive Co-Chair- Shayna Keller

Marketing & Membership Co-Chair – Aurea Adao

Development Co-Chair – Maria Paredes

At Large Member – Stephanie Moore

Programming Co-Chair - Ronnie Wise

Terms begin this month.

Get ready to rock n’ roll EAL/LA!

 

Being a registered voter of ealla.org was required for voting eligibility. Number of unregistered voters, 19. These votes will not be counted.

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JOB: Program Manager: The Alliance for California Traditional Arts

9:49 am in Professional Opportunities by Krystal Boehlert

Job Announcement: Program Manager (Half-Time)
Timeline: Open until filled (posted January 6, 2012)
Location: Los Angeles with ability to travel

Background
The Alliance for California Traditional Arts (ACTA) promotes and supports ways for cultural traditions to thrive now and into the future by providing advocacy, resources, and connections for folk and traditional artists. Recognized for its culturally competent leadership, intellectual capital, and excellence in program administration, ACTA is the California Arts Council’s official partner in serving the state’s folk and traditional arts field. ACTA helps people connect to their past and keep traditions a central part of life today and tomorrow. By supporting folk and traditional artists, ACTA supports the health, cultural continuity and diversity of California. Founded in 1997 by cultural workers, arts administrators, and traditional artists, it has grown into the multi-site $1.3M organization it is today, with headquarters in Fresno and a field office located in San Francisco. In early 2012, a Los Angeles field office will launch.
Position and Responsibilities

The Alliance for California Traditional Arts (ACTA) has an opening for a Program Manager to serve the Southern California region. The Program Manager reports to the Executive Director based in Fresno. The term for this position is 12 months, working 20 hours per week. The contract may be extended contingent on available funding. This part-time position requires ability to travel, principally in S. California for outreach and fieldwork.
The Program Manager will be responsible for launching a new field office and for providing regional services across ACTA’s three core programs – the Living Cultures Grants Program, Apprenticeship Program, and Traditional Arts Development Program. Networking and field research will be a vital part of developing a more robust Southern California regional service for ACTA.

Responsibilities include the set up and management of a Los Angeles office; networking with S. California arts and cultural networks; contributing to a database of regional traditional artists, arts organizations and groups; conducting discovery research to reach a greater number of S. California based traditional artists; conducting site visits to ACTA grantees, including providing written reports and media documentation; facilitating outreach meetings and giving presentations to prospective applicants; offering assistance to prospective applicants; writing articles for ACTA’s website and The New Moon e-newsletter; working in collaboration with ACTA’s other program staff based in Fresno and San Francisco; and other duties as assigned.

Qualifications
· B.A. degree in folklore, cultural anthropology, ethnomusicology, or related field and/or at least two years experience with designing and implementing public programs related to traditional or community-based arts; M.A. or Ph.D. degree preferred.
· Prior work and expertise demonstrating cultural competence with diverse communities and cultural traditions.
· Experiences with and knowledge of Los Angeles communities and organizations.
· Excellent writing, speaking and networking skills.
· Ethnographic fieldwork and research skills including media documentation.
· Computer skills using Microsoft Word, Excel.
· Administrative skills, including ability to manage a small office.
· Ability to work independently as well as to function as part of a team.
· Spanish or other non-English language abilities a plus.

The successful candidate will have a strong commitment to the mission of providing stewardship for the folk & traditional arts in California and a respect for and interest in furthering the strengths and accomplishments of the Alliance for California Traditional Arts, its staff and Board.
Location: The program manager will be based in Los Angeles with ability to travel statewide.

To Apply:

Send a hard-copy OR email letter of interest, resume, and the names, addresses and telephone numbers of three references to:
Alliance for California Traditional Arts
Attn: Search Committee
1245 Van Ness
Fresno, CA 93721
info@actaonline.org
Salary: Competitive salary commensurate with experience, plus benefits.
The Alliance for California Traditional Arts is an Equal Opportunity Employer.

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JOB: Curator of Public Programs & Education Manager: Fowler Museum

10:36 am in Professional Opportunities by Krystal Boehlert

The Fowler begins 2012 with two exciting opportunities. We’re looking for dynamic, creative people to fill the following positions:
Curator of Public Programs
Education Manager

The Fowler Museum at UCLA - a beloved Los Angeles institution of international repute with a renowned collection of art and objects – explores global arts and cultures with an emphasis on cutting-edge contemporary art. Nestled in the heart of UCLA’s beautiful north campus, the Fowler enhances understanding and appreciation of the diverse peoples, cultures, and religions of the world through acclaimed exhibitions, public programs, and publications.

The following positions are open:

Curator of Public Programs
We seek a dynamic individual to serve as Curator of public Programs. Under the supervision of the Director of External Affairs and working with senior museum staff, the Curator of Public Programs will research, develop, and implement the Museum’s programmatic offerings to enhance and broaden engagement with the Museum for the general public and the UCLA community. The successful candidate will be a highly creative thinker capable of conceptualizing wide-ranging, exciting, and informative programs that consider the Fowler Museum’s collections and exhibitions, as well as of the global issues around which the Museum’s mission has evolved. Additionally, the Curator of Public Programs must be efficient and detail-oriented in order to produce events and manage their myriad details. A broad spectrum of programs is to be offered, including lectures, symposia, music, dance, workshops, tours, festivals, artist and scholar dialogues, and artist residencies. The Curator of Public Programs reports to the Director of External Affairs and works closely with curatorial, education, and communications staff to help strategize the museum’s outreach and marketing efforts for public programs. Apply online here:
https://hr.mycareer.ucla.edu/applicants/jsp/shared/frameset/Frameset.jsp?time=13\25871920535

Education Manager
Under the supervision of the Director of Education and Curatorial Affairs and working closely with other staff and students, the Education Manager will plan, implement, and evaluate services for school communities, youth and families, and university faculty and their students. The Manager serves as a member of the external affairs and education division, and collaborates closely with colleagues to expand and deepen the Museum’s mandate for arts and humanities education. The successful candidate will be highly creative and energetic and have a background in world arts, experience working in museum education, and the ability to oversee an active school visit program and lively family program agenda. The candidate is expected to develop and present teacher training programs centered on ideas and issues related to the museum’s collections and exhibitions, as well as initiate and carry forward meaningful interactions and ongoing partnerships with campus faculty. The training and supervision of a small group of student educators who also serve as gallery teachers is a key responsibility of this position. A flexible schedule is required, as the position involves some weekend responsibilities. Apply online here: https://hr.mycareer.ucla.edu/applicants/jsp/shared/frameset/Frameset.jsp?time=13\25872252598

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Programming Committee Meeting: Creative Conversation 2012

8:48 pm in Creative Conversations, EAL/LA, Events, Networking Mixers by Krystal Boehlert

Wednesday, Janurary 18, 2012 7:00pm

Come kick off the New Year with the EAL/LA Programming Committee! We’ll focus on coming up with awesome ideas for the next Creative Conversations in April 2012. We’ll also be thinking about fun mixers to keep EAL/LA hopping throughout the year and tell you about other ways you can help with EAL/LA programs for you and your fellow emerging professionals. No experience necessary – develop your programming skill-sets!

Urth Cafe, 451 S Hewitt St, Los Angeles, CA 90013

It is free to attend, but please RSVP to Rebecca@ealla.org so we know you’re coming!

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Job Opp @ Metro: CREATIVE SERVICES MANAGER

10:32 am in Professional Opportunities by EALLA

From Metro website:

Public Transportation Services Corporation(PTSC)
Non-Represented EMPLOYMENT OPPORTUNITY
Bulletin No: 008413-002
Job Title: CREATIVE SERVICES MANAGER
Specialty: Art Program
Closing Date: 18-OCT-2011
Salary Grade: H1N
Salary Range: $77,832 – $97,279 – $116,726
External/Internal: EXTERNAL
This bulletin is posted to establish or add to a Qualified Candidate Pool(QCP)

Position
Basic Function

Manage and oversee the performance of public art projects and programs associated with improving mobility and quality of life for millions of people in Los Angeles County
Example of Duties
Manages and oversees highly visible public art projects and programs
Participates in planning, developing and implementing departmental workplans, goals, objectives and budgets
Oversees, evaluates and approves the work of staff and consultants in the development and implementation of public art projects to meet objectives within established timelines
Develops and updates policies, procedures and guidelines associated with public art, art conservation and design excellence enhancements
Initiates and writes scopes of work, requests for proposals/qualifications, evaluates proposals and prepares cost estimates
Interfaces with multiple Metro departments, professional consultants and contractors during all project and program development and implementation stages
Works closely with Contract Administration to develop, negotiate and execute multiple artist, professional services and contractor agreements
Manages performance of contractors and consultants including all aspects of regulatory compliance, contract compliance, performance measurement, scheduling, prioritization of work, budget development, monitoring and reporting
Prepares and presents reports and recommendations to management and outside agencies
Reviews and provides departmental responses for incorporation of public artwork and design amenities within construction projects during planning, design and construction phases
Responds to Design Builder/Contractor requests for information, field meetings, fabrication shop drawing and material samples reviews and effects project completion punch lists
Coordinates with technical staff and outside experts for conservation, repairs and maintenance of hundreds of existing artworks
Undertakes research and analysis of national/international industry best practices, state of the art innovations, copyright usage, conservation techniques, state and federal artist’s rights laws
Monitors artworks for vandalism, theft and damage, develops artwork condition inventory, assessment database and develops maintenance and repair workplans
Develops, plans, coordinates and facilitates artists workshops and arts related community outreach meetings
Develops and prepares public information materials and temporary art projects across a variety of platforms
Develops tour strategies, participates and provides tours of artworks
Communicates and implements safety rules, policies and procedures in support of the agency’s safety vision and goals; and maintains accountability for the safety performance of all subordinate employees
Requirements For Employment

Bachelor’s Degree in Arts Administration, Fine Arts, Art History, Architecture, Environmental Design, or a closely related field
5 years of progressively responsible experience including 2 years’ of supervisory experience in developing complex, highly visible public art projects
Masters degree in related field is desirable
Knowledge:

Current principles, policies, theories and practices of public art and public art conservation programs both locally and nationally
Contemporary visual art, art history, architecture, landscape architecture, signage, and urban design and planning
Art fabrication techniques, materials, processes and vendors
State and federal art law and copyright issues
Structure, functioning and protocol of local government, public agencies and community groups
Public sector contracting, procurement, budgeting and accounting processes
Transportation design, construction methods, practices and processes
Personal computer business and design software applications
Abilities:

Possess high interpersonal skills to interact professionally with various levels of Metro employees, multiple design professionals, contractors, elected officials and the public
Communicate art and design concepts effectively, verbally and in writing
Implement a wide variety of public art projects and programs with tight deadlines in a highly multi-tasking environment
Read architectural construction drawings, specifications and visual design materials
Exercise critical judgment and creativity in making decisions for the benefit of Metro
Compile and analyze complex data, statistics and budgets
Negotiate contract terms
Prepare comprehensive reports and correspondence and maintain organized and accurate job files
Supervise, train and provide technical assistance to subordinate staff
Selection Procedure

APPLICATION SCREENING , SUPPLEMENTAL APPLICATION REVIEW , APPRAISAL INTERVIEW

Application Procedure

To apply, visit Metro’s website at www.metro.net and complete an online Employment Application.

Computers are available to complete online Employment Applications at the following Metro location:

METRO Headquarters, Employment Office
One Gateway Plaza
Los Angeles, CA 90012

Telephone: (213) 922-7153 or persons with hearing or speech impairments can use California Relay Service 711 to contact Metro.

All completed online Employment Applications must be received by 4:00 p.m. on the closing date.

*Open to the public and all Metro employees

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AIGA: VOLUNTEER ASSISTANT PROGRAMMING CHAIR

6:56 am in Professional Development, Professional Opportunities by Krystal Boehlert

VOLUNTEER ASSISTANT PROGRAMMING CHAIR

Hiring Company
AIGA Los Angeles

Location
Los Angeles, CA

Job Description
The Assistant Programming Chair provides administrative and logistical support to the Programming Chair and Board Liaison(s).

This is an ideal position for someone seeking to expand their network and gain high-level experience in a management position. Assistant Programming Chair should be a self-starter, have excellent written and organizational skills, and be able to manage multiple projects simultaneously.

AIGA LA, with less than one paid administrator, is primarily a volunteer organization. The Assistant Programming Chair is an unpaid position. It is estimated that this position would require 8-10 hours per week.

The Programming Coordinator helps to manage many aspects of AIGA LA programming.

The Assistant Programming Chair responsibilities include:
• Directly oversee a number of Event Producers and events, reporting to Programming Chair
• Develop, oversee and update a directory-list of all committee members and volunteers
• Build relationships with new AIGA LA Programming Committee volunteers
• Attend regular committee meetings. (approx 1/month)
• Identify and reporting when the Committee may have emerging opportunities or challenges, and recommending to the committee chair, a course of action, if appropriate
• Provide support to Event Producers securing speakers, venue, catering, etc. as needed
• Aid in training new volunteers and Event Producers in event production and budgeting procedure
• Provide support to individual Event Producers on-site for events whenever possible
• Communicate committee needs, challenges and successes to the committee chair
• Represent AIGA LA in an appropriate manner, when contacted by members and non-members alike

A successful Assistant Programming Chair will:
• Be a very good communicator
• Be a strategic thinker
• Have excellent people and project management skills
• Have excellent writing capabilities
• Have excellent internet skills
• Be humanistic and self-motivated
• Be a problem solver, and team player

Company Profile
Founded in 1983, the Los Angeles chapter continues to connect LA’s varied creative industries through extensive programming, events and social outreach. It’s mission is to connect, inspire, stimulate and support all design professionals throughout the arc of their careers regardless of geography or sub-discipline.

AIGA, the largest professional membership organization for design is committed to advance design as a professional craft, strategic methodology and vital cultural force. AIGA empowers the success of designers at each stage of their careers by providing invaluable educational and social resources.

Submission Email
tparzyck@yahoo.com

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LA Opera: Education Programs Assistant

12:51 pm in Professional Opportunities by Krystal Boehlert

DESCRIPTION

LA Opera seeks an Education Programs Assistant for their fast-growing, award-winning Education and Community Programs department. Reporting to the Education Manager, the Education Programs Assistant will provide general administrative support and coordination for the Opera’s education and community programs staff. This position will also assist in the planning and implementation of education programs, projects and events.

Qualified candidates will be highly organized and have a degree or significant experience in arts, arts management or arts education. Applicants will have worked extensively in Word, Excel and Outlook, and have experience with database applications. Qualified candidates will also demonstrate the ability to attend to detail in a fast-paced, multi-tasked environment and have strong written and oral communication skills, as well as an aptitude for interacting well with the public. Bilingual is a plus but not required.

This is a part-time position, offering approximately 29 hours per week. There is some flexibility in setting hours during the business week; however, the work schedule may vary and will include some nights and weekends.

 

HOW TO APPLY

In your cover letter, please indicate how you heard about this job (i.e. through which online ad, specific person, etc.). To apply, please send resume and cover letter by email with “Education Programs Assistant” in the subject line to:jobs@laopera.com.

Learn more about LA Opera at: www.laopera.com

 

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Meet the 2011 EAL/LA Leadership Council Co-Chair Candidates!

10:05 am in EAL/LA, Resources & News by EALLA

2011 EAL/LA Leadership Council Co-Chair election time is here! If you are a registered member of ealla.org you will receive an email with a link to VOTE. Wanna know who’s running? Read more about the candidates below.

VOTE

Candidate for Finance Co-Chair:
Jen H. Gorman

Civic Art Coordinator
Los Angeles County Arts Commission

My current position as Civic Art Coordinator at the Los Angeles County Arts Commission is fulfilling and demanding, requiring a superior level of performance from me. The abilities and skills that I have gained at the Arts Commission would serve EAL/LA well; they include ongoing maintenance of various Capital Project budgets, analysis and projections of internal program expenditures, preparation of fiscal reports, and management of vendor payments. Prior to this job, I was Development Associate for the LA Conservation Corps; a local non‐profit organization that I served with for five years.

I am particularly interested in the position of Finance Co‐Chair because there is much to learn in this field, especially for me, as my educational background was in Art History. This position is an opportunity for me to broaden my understanding of finance by learning how to navigate through all aspects of an organization’s budgetary workings.

As I advance in my career, being a part of EAL/LA will connect me to a larger community of Arts Administrators, non‐profit professionals and creative individuals also dedicated to the Arts. In addition, I would like to grow with EAL/LA in the longterm to eventually help serve a new community of young emerging leaders. This is an opportunity that I am truly excited about!

Candidate for Marketing & Membership Co-Chair:
Gavin Williamson

Administrative Assistant / Art Editor
Michael Benevento Gallery   /  Words Without Borders

Why are you interested in this Co-Chair position?
I’m interested in the Marketing and Membership Co-Chair position because I’m passionate about the arts and am interested in further directing and refining my professional skills through a community-based organization. I enjoy marketing and working with diverse groups to develop, distribute and promote the arts through social and print based media. I’d also like to increase my development skills and would value an opportunity to enhance my professional connections.

How would you be a good fit for this Co-Chair position?
I’d come to this position with a background in arts administration, prior arts-marketing experience, a M.A. in Writing, Criticism and Theory and a tenacious personality. I have a year of experience writing, editing and distributing press, marketing materials and copy for the arts, this is a significant component of my current job as an administrative assistant. I also have experience planning events, managing multiple projects with minimal supervision, and working with third-party vendors to meet deadlines and adhere to a budget. I’m competent with social media, have experience with hard-copy advertising and am always willing to learn something new.

How would this position effect your professional & personal development?
I’m still in the process of figuring out the part of the arts that fits me best. I’m hoping this position will place me among a group of like-minded peers while challenging my professional skill-set, ultimately making me a more resourceful and flexible member of the arts community. I hope this position will help me diversify and expand my network, increase my professional relevance, and perhaps allow for a transition from the commercial gallery world into an art institution.

What are some specific goals and/or objectives you hope to achieve as a Co-Chair?
I’d like to increase membership on social media platforms but I’d also like to look into ways in which EAL/LA can have an increased presence at local arts events. Moreover, I’d like to research which types of communication could best attract new membership from more local artists as well as administrative professionals.

Candidate for Development Co-Chair:
Melissa Flavia Constantino

Founder
Stop & Listen LA

It was a cool Tuesday night in February of 2010. I dragged my mother along with me to my favorite; Leo’s Taco Truck, located right on Eagle Rock Boulevard. I wasn’t quite sure what was to happen, but I came prepared with my guitar in hand, and quickly designed flyers for a “project” I had dreamt of. There, I was, alone with few passerby’s, singing songs for those who decided to stop for tacos. I had no idea what I was getting myself into, all I knew was that Art should be for the masses; for people who might not be exposed, and for people who may not have the means to afford it. It was for something higher than myself and the idea that maybe, Music CAN bring people together and CAN build stronger communities. At the end of the night, I knew I had fallen onto path for the right reasons. It was a passion rooted deep within me, manifested through simple interactions with people of the community. This is how I found myself in Arts Administration. Initially all I knew was music, and had no idea what career field I would be pursuing, but the process of turning what was first an experiment into a nonprofit organization has presented excitement, joy, and many challenges that I am happy and proud to take on.

I would love to be the Development Co-Chair, as I believe I have the passion, drive, and the strong work ethic to help fulfill the mission of EAL/LA. Development is the bread and butter to every organization. These days with the cuts in arts funding, it is crucial to develop individuals who want to continue the progress of sustaining arts programming. With few opportunities available for arts professionals, sometimes, it is necessary to create those opportunities in order to develop yourself. With Stop & Listen LA, I have allowed myself to do just that – which is why I feel I am a good fit for this position. I am constantly developing myself and am eager to learn more on the development side of administration. I love that EAL/LA is here to serve as a tool to success for so many of us who advocate and support the arts and I would be honored to serve on the council to learn and to allow others to grow right along side me. If I can impart any advice, opportunity, and or knowledge to anyone, I am the first to share it. As a Co-Chair, I wish to help the development committee achieve greater innovation in how we go about researching and fundraising to drive the mission and the programs that we have set to undertake. I want to grow as a leader in the arts field while helping to continue the process of growth for all others I may meet along the way as part of EAL/LA.

Candidate for Programming Co-Chair:
Kelly Christ

Human Resources and Operations Administrator
Los Angeles Opera

I would like to serve the Emerging Arts Leaders Los Angeles (EAL/LA) Chapter as the Programming Co-Chair because I have creative ideas as to how arts programming can continue to move forward in L.A. and how EAL/LA can foster the development of the young professionals who will elicit that growth.  I meet a lot of vibrant EAL/LA members and each brings unique ideas to the table. I’m delighted that EAL/LA has recently undergone a focused strategic planning process in order to examine some of these goals and ideas, so that we can more effectively implement them. Because of this new structure, the Programming Committee will be able to create more opportunities for members to learn the skills necessary to become effective arts leaders.  Further, by supporting members in their vision and realization of their own exciting new programming opportunities, the Programming Committee will enable those members to continue to further their careers.

I am well suited to serve as the Programming Co-Chair because I have many innovative ideas as well as the strong work ethic required to turn good ideas into successful events.  Further, I am supportive and understand that while the Programming Committee members should create effective programming, they should also be prepared to step back and help others develop inspirational programs.  In fact, my career goals include working as a programming specialist within an arts organization.  I am passionate about community service and assuming the Co-Chair position would enable me to serve the EAL/LA community while also providing me the opportunity to demonstrate my leadership skills in outreach efforts for arts organizations.

My specific goals include fostering opportunities for EAL/LA members to teach one another. We can learn a lot from more seasoned arts leaders, and we should continue to draw upon their experience by inviting them as speakers and panelists to our upcoming events. Yet we also have unique experiences and insights as to where we see the arts world heading.  We should structure this collaborative approach into our programming endeavors. For instance, we already have a Development Committee, and, as fundraising is the lifeblood of a non-profit organization, I believe that every EAL/LA member should have a basic understanding as to how non-profits bring in donors and grants.  We could have Grants 101 sessions that the Development Committee would put on for the rest of the membership.  I am personally quite interested in arts education and would like to help build an Arts Education Hub for anyone who believes the arts are an integral part of a holistic education.  Other members likely have ideas and knowledge bases that EAL/LA can take advantage of and we should use the Programming Committee to help cultivate interesting new outlets for this knowledge.

Candidate for Communications Co-Chair:
K. Ryan Henisey

Teacher
Eastside School District

Why are you interested in this Co-Chair position?
I have always had an interest in communications. From my time in high school as editor of the school newspaper to my work with ETA distributing information through newsletters and the web, I have always found communication to be a niche in which I fit well.

How would you be a good fit for this Co-Chair position?
Previous experience with methods of communication in an organizational setting like ETA would make me a strong candidate for this position. I work well with other members of a team.

How would this position effect your professional & personal development?
It would give me greater experience professionally with organizational communications. Personally, it would feed my artistic side, allowing me a chance to work alongside like-minded individuals in a field that I admire.

What are some specific goals and/or objectives you hope to achieve as a Co-Chair?
I would like to effectively distribute information about events, and art advocacy. I would like to see EAL/LA develop its online presence throughout the year. I feel that I would work well with the current chair in accomplishing these goals.

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Leadership Council: Call for Co-Chair Applications

9:19 pm in EAL/LA, Resources & News by EALLA

Are you looking for a way to get more involved with EAL/LA? You’re invited to apply for a Co-Chair position on the EAL/LA Leadership Council!

Election timeline:

May 4, 2011 - Info session
May 8, 2011 - Deadline for applicants
May 9, 2011 - Applicants may give a statement @ General Meeting
May 12, 2011 - Election opens on ealla.org
May 30, 2011 - Close Election
Mid June 2011 - Notify Elects
July 1, 2011 - Co-Chair terms begin.

Application Packet Checklist

EAL/LA Leadership Council Application 2011[click to download]
Curriculum Vitae and/or Resume
Personal Statement

Please e-mail all Application materials to info@ealla.org  by April 30, 2011 at 5 p.m.

Application Review Process

Applications will be reviewed by current LC members. Once applicants are approved, profiles will be posted on ealla.org. Candidates will have the opportunity to make a statement to the membership at the May 11, 2011 General Meeting.

Leadership Council 2011

We want YOU to join the Leadership Council! L to R: Kristin Runnels, Tara Scroggins, Rosa Langley, Cynthia Pearson, Megan Powers, Krystal Boehlert, Rebecca Nath

—————————————

About the Leadership Council

EAL/LA creates an atmosphere that is conducive to information sharing and generational leadership succession. We’re emerging arts leaders so the idea is that we expect our own leaders to eventually “emerge”.

In order to do so, we’ve created a Leadership Council (LC) that is chaired by our more seasoned members. The Chairs will aid in orienting new leaders over the course of a one-year period. During this period, the Chairs preserve institutional knowledge and ensure the sustainability of EAL/LA by working closely with and developing the Co-Chairs. As the Chairs “emerge” or transition from the network, the Co-Chairs progress into the Chairs role and a new group of Co-Chairs is elected from the networks general membership.

Terms:

The Committee charged with the strategic planning process for the network elected its first officers to serve as Chairs in February 2011. In our first year, the Co-Chairs will be running for a 3 year term, with an option to leave their position after one year (if desired). If there is no opt-out, the person will continue to serve as co-chair for a second year and transition into the role of Chair during their third year. In the event of an opt-out, mid-term elections will be held. A candidate elected at this stage would serve a total of two years, one year as Co-Chair, one as Chair

Responsibilities:

The Co-Chairs are expected to meet monthly with the LC and with partnered Chair on an as needed basis. Each Chair/Co-Chair committee is expected to provide a short report quarterly to the LC to document and update on the committee’s progress.

Co-Chair Descriptions

Development Co-Chair

The Co-Chair helps the Development Chair in creating strategies for resource development and implementing fundraising activities for EAL/LA during his or her term.  The Chair and Co-Chair will work with Executive Chair/Co-Chair and Leadership Council to identify priority funding areas and coordinate with the Development work group/committee to seek funding for these areas.  The Development Chair and Co-Chair will maintain the relationship with current funder while also seeking support from other sources. They will research and apply for grants and other sources of revenue, and implement action items to make progress toward the fulfillment of Strategic Planning goal #3- resource development. The Development Chair and Co-Chair may also work with Membership Chairs to coordinate a paid membership program if one should  be started.

The Development Co-Chair should be ready to dive into fundraising activities for EAL/LA; a person who works well with a team and also takes initiative to research and brainstorm possible sources of revenue independently.  Familiarity with fundraising practices is helpful.  Most importantly, the Development Co-chair should be passionate about the goals, activities, and mission of EAL/LA.

Programming Co-Chair

Working collaboratively, Programming Chair and Co-Chair will be responsible for executing regular professional development programming for EAL/LA membership. This will include brainstorming and generating ideas, coordinating event logistics, and assisting with day-of responsibilities, as necessary. Chair and Co-Chair will provide assistance and guidance to members who seek to sponsor and organizeEAL/LA events. They will review program proposal submissions and determine which programs to recommend to Leadership Council for promotion and sponsorship. Chair and Co-Chair will communicate with planning committees to ensure programs are executed according to EAL/LA guidelines.

Programming Chair and Co-Chair will support committees for annual programs, including Creative Conversations and APAL. These programs will be managed through their respective committees, but the Programming Chair and Co-Chair will ensure the programs are being executed, are on schedule, and are in accordance with EAL/LA standards.

Additional responsibilities of the Programming Chair and Co-Chair will be to organize and attend regular meetings of Programming committee. In conjunction with the Strategic Planning process, Programming Chair and Co-Chair will develop EAL/LA Programming Priorities and Guidelines document. This will be reviewed by the Leadership Council and implemented with future EAL/LA programming.

The Programming Co-Chair is highly interested in the nuts and bolts of program development. The Co-Chair should be a highly motivated and accessible team-player. Familiarity with contemporary arts/non-profit management and professional development theories, events, speakers, and ideas is a plus, but can be substituted by an interest in these areas and a willingness to learn. Most importantly, the Co-Chair should be dedicated to ensuring EAL/LA provides high-quality, constructive, and inspirational programming to our members.

Finance Co-Chair

The Finance Chair and Co-Chair manage the EAL/LA budget. In coordination with the Executive Chair/Co-Chair, the Finance Chair and Co-Chair will develop and implement systems for maintaining budget records, approving expenses and reimbursements, and keeping the members of the Leadership Council (LC) informed about financial issues. The Co-Chair will assist the Chair in monitoring the budget on an ongoing basis by reviewing monthly budget statements from Community Partners (CP) and tracking income and disbursements. The Finance Chair and Co-Chair will be responsible for ensuring that proposed expenditures are within budget and collect necessary information for the LC and CP to evaluate and authorize the expenditures. The Co-Chair will be involved in obtaining receipts and preparing forms to be submitted to CP for reimbursement. Should a paid membership structure be introduced, the Finance Co-Chair will work with the Membership and Development Chairs and Committees to receive and track membership dues. The Finance Co-Chair will, when appropriate, assist in Development activities by providing current budget information for funding solicitation and grant reporting purposes. The Finance Co-Chair will assess EAL/LA’s budget and will meet with the Finance Chair to discuss the state of EAL/LA’s finances on at least a monthly basis. The Finance Chair and Co-Chair will work with the LC to establish budgets for several fiscal years in advance and will support the overall financial goals of the organization. The Finance Co-Chair will likely work very closely with the CP liaison (the Executive Co-Chair) in performing all of his or her duties.

For this position, that old job description standard “detail-oriented” is a must. No formal―or even informal―accounting experience is required, but a familiarity with budget spreadsheets and monthly/annual financial statements is helpful, and those with phobia of numbers or handling money may rather apply for something else. The Finance Co-Chair should be responsible and responsive to requests for budget information from the Finance Chair and other LC members. Of course, the Finance Co-Chair should be committed to EAL/LA!

Communications Co-Chair

The Communication Co-Chair will assist the Chair in maintaining the website and other online accounts. This includes site moderation for spam, membership, content, and access issues. The Co-Chair will help generate blog content and solicit permission for cross-posting relevant blogs to be posted on ealla.org. Co-Chair will keep an editor’s eye on website specifically blogged content. The Communications team is responsible for checking EAL/LA voicemail and general email account, forwarding questions to appropriate people. The Communication team will assist the LC with other tech issues as they arise. The Communications team will assist the Marketing & Membership team in writing and distributing press releases and pushing out information and announcements through all channels. The Co-Chair will communicate to the Finance team any budgetary concerns or recurring costs. The Co-Chair will work with the Development team in identifying and implementing appropriate online revenue initiatives.

The ideal Co-Chair will be very web savvy and have be active online on a daily basis. The Co-Chair will be accessible to the LC and membership, keeping tabs on the various online accounts on a regular basis. The Co-Chair will meet with the Chair on a monthly basis aside from the LC monthly meetings. The Communications Co-Chair will have an interest in web technologies and content management. The Communications team will work on an archiving solution for audio, video, and image content for the group and will be looking to experiment with new tech tools to benefit the EAL/LA membership.

Marketing & Membership Co-Chair

The Marketing & Membership Co-Chair will assist the Chair in writing, editing, and distributing all promotional based materials for EAL/LA including, but not limited to press releases, e-blasts, and ad copy. The Co-Chair will contribute towards building and maintaining a social media based promotions plan to increase membership presence on EAL/LA’s website through Facebook, Twitter, and YouTube, as well as take the lead in maintaining content and communications on those sites. Additionally, the Co-Chair will oversee the creation and organization of press and listings contact sheets, as well as help manage all field related vendor relationships. The Marketing and Membership team will establish cohesive membership development plan and solidify membership communication strategies to ensure more effective distribution of information. The Co-Chair will assist in the creation of membership materials and will work closely with the Chair and the Programming Team for all Special Events and with the Development Team to identify funding partners to establish a membership benefits program.

The ideal candidate will have excellent writing and communications skills, as well as a willingness to learn negotiation skills. Additionally, the co-chair must prove extremely detail oriented and have an ability to manage multiple projects efficiently and ensure their timely execution. No previous marketing or development experience is required, but is preferred.

About the Leadership Council [click to download]

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Join EAL/LA’s Programming Committee

12:04 pm in Arts Professionals Advisor Link, Creative Conversations, EAL/LA, General Meetings, Networking Mixers by Rebecca Nath

Casino Cowboy One by Jeremy Brooks

Photo by Jeremy Brooks

Are you interested in being a creative contributor and professional development designer?

Is your idea of a fun Friday night catching up with Art Works and ARTSblog?
Do the following three words/phrases get your blood pumping: networking, events management, social mixers.

If any of these in any way applies to you, contact your Programming Chair, Rebecca, to be a part of EAL/LA’s Programming Committee. We will have our first meeting in mid-April (details tba).

We have big plans for 2011 and beyond–so join us as we make EAL/LA the hottest thing since Rocco Landesman’s cowboy boots.

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